Arts On The Line Alewife StationStation Architect: Ellenzweig, Moore & Associates, Inc., Cambridge, MA Commissioned for the Massachusetts Bay Transportation Authority through the Cambridge Arts Council's Arts On The Line program. Funded by the U.S. Department of Transportation, the Urban Mass Transportation Administration, and the Massachusetts Bay Transportation Authority. |
 |
 |  |  Artist: Richard Fleischner Title: Untitled Date: 1985 Materials: Granite, pavers, plantings Dimensions: 3 acres Fleischner's three-acre environmental sculpture on the south side of the garage includes bold, inventively balanced granite block constructions, trees planted along a tapering walkway, and a man-made pond. The work provides a usable space for MBTA commuters and community residents, while also functioning within the technical parameters for adequate drainage and water retention. |  |
 |  |  Artist: David Davidson Title: Untitled Date: 1984 Materials: Porcelain tiles Dimensions: 3' to 9' high x 200' long Interspersed among the brown Welsh Quarry tiles of the station, Davidson's sky-blue paintings are a welcomed reminder of the outdoors to those emerging from the underworld of subway travel. Assembled in various configurations, the mostly abstract paintings run over a 200 foot area along the east wall pedestrian ramp from the Rindge Ave. Extension. |
 |
 |  |  Artist: Joel Janowitz Title: Alewife Cows Date: 1985 Materials: Paint on steel panels Dimensions: 11' 2" x 19' 8" Located in the bus station waiting area, the illusionistic painting suggests a false exit that reflects the trusses and doorways of the surrounding architecture. The doorway looks out onto a sunny field where cows are grazing peacefully, as they may have done a century ago when the site was an inhabited pasture. |  |
 |  |  Artist: William Keyser, Jr. Title: Untitled Date: 1984 Materials: Maple, stainless steel Dimensions: 2 sculptural benches: 3' 6" x 7' x 30' 3' 6" x 15' x 19' The gracefully sculptured benches were designed to provide, in Keyser's words, "a wooden landscape for sitting." Located in the street level atrium of the parking garage, the bold, sweeping benches hold their own in this architectural environment, while humanizing the space and adding a touch of whimsy to the station. |  |
 |  |  Artists: Alejandro and Moira Sina Title: The End of the Red Line Date: 1984 Materials: Neon Dimensions: 8' x 320' x 10' The neon sculpture is composed of 1000 tubes that are suspended and staggered at regular intervals directly over the train tracks. The neon pendulum winds for 300 feet along the platform ceiling and when the trains come roaring into the station, the red neon tubes sway gently, adding a kinetic effect to the piece. |  |
 |  |  Artist: Nancy Webb Title: Untitled Date: 1984 Materials: Bronze tiles Dimensions: 100 tiles, each 6" square The low-relief tiles, scattered throughout the mezzanine, depict the flora and fauna indigenous to the Alwife Reservation, including alewives (fish), frogs, song sparrows, dandelions, roses, snakes, toads, herons, and grasshoppers. The marshes, meadows, and swamps of the 115 acre Reservation are part of the largest wetland area left in Cambridge. |